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Armchair Escapism 18
CULTURE

Epic books and films worth getting lost in.

Armchair Escapism 18

By Antonia Thomas

BOOKS

The Road to the City, Natalia Ginzburg

Ginzburg is one of the greatest Italian 20th century writers whose work is sparing, raw and unsentimental yet deeply emotive and emotional. The Road to the City is a short novella centred on the life of Delia, a 17 year old girl who hates her rural existence in Italy in the early 1900s. She dreams of a life in the city associating it with independence and glamour. When Delia accidentally falls pregnant out of wedlock, she hopes that this will lead to a ticket to freedom but instead she grapples with challenges that she seems incapable of facing. Ginzburg’s portrayal is unsympathetic and restrained and we eagerly turn each page to discover the fate of Delia, and those who surround her. 

A Waiter in Paris: Adventures in the Dark Heart of the City, Edward Chisholm

‘When you’re in Paris you couldn’t care less about anywhere else. Your world shrinks; its the centre of your universe. There is nowhere else.’ In this gripping memoir, Chisholm reveals his escapades living as an expat in the intoxicating and all-consuming French capital. As a young waiter, working in one of the city’s most prominent restaurants, he has an exclusive access to the two sides of Paris; the glittering and glamorous sheen, as well as the dark and gritty underbelly. The writing is vivid and tense, filled with determination and hunger. It demonstrates the lengths we will go to live the dream often getting blinded by the headlights in the process. 

Book cover of The Road to the City by Natalia Ginzburg, featuring a black-and-white photograph of a woman lying in grass by a lake, with a simple yellow, blue, and white border. A book titled A Waiter in Paris by Edward Chisholm lies on a wooden table next to handwritten letters, a leather-bound notebook, and a gold mesh purse. The book cover shows waiters standing on a Paris street.

South from Granada, Gerald Brenan

In this memoir, British writer Gerald Brenan recounts his years living in a remote Andalusian village in the 1920s. In his desire to escape from his usual existence, he immerses himself into the customs, beliefs and daily struggles of his new community which comprises mainly of impoverished peasants. With clarity and empathy, he describes village life, its social hierarchies, religious heart, economic struggles and Brenan’s own role as the outsider. Its a compelling read of a period on the verge of modernisation and civil war, capturing its hardships and dignities. 

Book cover for South from Granada by Gerald Brenan, featuring a man playing guitar and a woman in traditional dress, with a blurred stone wall and sunny outdoor background. Penguin Modern Classics logo is visible. A woman in a straw hat leans close to a thoughtful man as they both look into the distance; above them, the text reads South from Granada.

FILMS
The Spanish Apartment

Student Xavier flees a stifling life in Paris to spend an Erasmus year in Barcelona. He finds an apartment which she shares with other young adults all from different countries in Europe and all on their own path of self-discovery. Xavier settles into his new Spanish life, though his course does not always run smooth. What ensues is a succession of cultural clashes, romantic entanglements, language barriers, and hilarious tribulations which feel relatable and endearing. While Xavier’s time in Barcelona challenges him, it also broadens his horizons and the film is a wonderful testament to the calamities of youth and the path of self-discovery.

Le Sauvage (1975)

Though this film is set on a remote Caribbean island, the film oozes with Mediterranean glamour and an iconic Franco-Italian cast. Nelly (Catherine Deneuve) and Martin (Yves Montand) have a chance encounter and end up stranded together on the island. Constantly at each other’s throats, Nelly’s urban Parisian upbringing clashes with Martin’s easy-going self-sufficient lifestyle. A series of comedic mishaps ensues and, in a tale as old as time, it appears that Nelly and Martin have more in common with another than they initially thought. 

A movie poster for Le Sauvage shows a man carrying a woman over his shoulder. Both appear serious; the title is boldly displayed in large red letters above them. Cast and production credits are listed around the image. Five people peek curiously through a slightly open wooden door, stacked vertically above one another, each with a surprised or intrigued expression. The door is light brown and decorated with a small pink ornament.

And God Created Woman

At the end of December, the world said goodbye to the Queen of the Cote d’Azure, Brigitte Bardot. Her breakthrough role in ‘And God Created Woman’ solidified her status as an international icon. Bardot represented female sexual liberation, and an era of hedonism and pleasure with the French Riviera as her backdrop. In this film, Bardot plays Juliette, a wild femme fatale who frolics through sun-drenched Saint Tropez while men fall at her feet. She continuously shirks all social conventions and in doing so, captures the particular attentions of millionaire Eric Carradine, his older brother Michel, and the young Antoine. Jealousy and desire ignite a determination in the men to capture Juliette’s affections which are no match for her untameable spirit.

A man in a white shirt holds a woman with long, wavy blonde hair as she tilts her head back, eyes closed. They are in an intimate pose indoors, near a metal-framed bed. A woman in a short dress dances barefoot on a table, smiling with her arms outstretched, while a man standing nearby looks up at her and smiles. The photo is in black and white.

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